Category / Architecture
Architectural Studies – The Semantics of Architecture
-
![]()
The Philosophy of Form in Architecture
The Philosophy of Form in Architecture: Navigating the Boundaries of Space Form in architecture is not just an aesthetic element; it is the essential language of space, the way buildings communicate with those who inhabit them. Just as minimalist design reduces every detail to its essence, so too does architectural form reveal deeper layers of…
-
![]()
Architecture and Philosophy
Understanding the deeper philosophical implications of the spaces we inhabit Architecture and Philosophy: Building a Bridge Between Thought and Matter Architecture is not merely a matter of aesthetics or functionality—it is, above all, a philosophical act. At its core, architecture represents the physical manifestation of ideas, cultural values, and philosophical paradigms that shape societies throughout…
-
![]()
The Power of Architecture in Shaping Emotions and Behavior
Introduction: Architecture as a Medium for Human Experience Architecture is far more than the creation of physical spaces; it operates as a profound medium that speaks to the deepest aspects of the human psyche. This language of space interacts with our archetypal and symbolic structures, shaping our emotions and behaviours in ways that often transcend…
-
![]()
On architecture, art, language, and philosophy
On Architecture, Art, Language, and Philosophy – A New Synthesis Architecture is not merely a structure; it is a meta-structure, a profound synthesis of art, language, and philosophy. It is a living dialogue between material and metaphysical realms, where architecture becomes a narrative medium—each structure telling a story, conveying emotions, and reflecting the collective consciousness…
-
![]()
The Role of Symbolism in Sacred Architecture
The role of sacred architecture in creating a sense of spiritual connection Religious architecture has a long history of serving as a physical space for believers to connect with their faith and spirituality. These buildings, including temples, cathedrals, synagogues, and mosques, often incorporate various design elements and techniques to facilitate this sense of spiritual connection.…
-
![]()
Phantasmagoric Syntax
Theoretical elaborate for the J BRIDGE project. This is a philosophical-ontological game. This heuristic game will bring our attention back to the basic stories. The stories we articulate with the bridges of language. Phantasmagoric syntax The bridge is a sculptural manifestation of an archetypal sentence, a sentence that can be imagined to be the basis…
-
![]()
Architectural Syntax – The Corner
The corner is a seemingly insignificant aspect of architecture, but it is actually a crucial element that plays a vital role in defining the appearance and functionality of a building. Its (Corner) placement in three-dimensional space is what dictates the overall design and silhouette of the structure. But what makes the corner such a strange…
-
![]()
Architectural Anatomy
It is almost a fun fact that many architects cannot clearly define the discipline of architecture. Often, the definition relies, quite uncertainly, on intuitive recognition (“I can not define it, but I know it when I see it”). However, there are many definitions that are being sought at the boundary between intuitive and analytical because…
-
![]()
Style – Stylistics
Style is a crucial element of an architect’s work, a tool they use to sign and distinguish their creations. However, it should not be viewed as a choice that exists independently of the larger architectural discourse. Many young architects fall into the trap of thinking that they can choose their own unique style, often prioritizing…
-
![]()
Four Corners of the Gaminite Circle
This text represents the normative grammatic for understanding the architectural project “The Three Corners of the twofold Circle“ Prologue Four Corners of the Geminate Circle is a Jungian concept that will be the central theme of this text which will once again culminate in architectural exegesis. Besides Jung’s thesis, the aesthetic categorization by Benedetto Croce…
